How much does maker studios pay

The New York Times reports Maker receives 5. Here are some of Maker's YouTube personalities, channels, subscription numbers, and viewers. Tessa Violet aka Meekakitty Violet's a singer, songwriter, and actress who is known for her supercut videos. The Platform A fashion and beauty channel , subscribers 21,, views.

Animonster Consists of various cartoons from a variety of animators. All together, Epic Rap Battles of History has received To be sure, Maker has been active in this area, too. Disney was also committed enough to Maker early on to spend a few million dollars building a new LA-based production facility, which opened last August.

Staggs later also left the company in April In this environment, aggressive growth targets — some departments were tasked with tripling or quadrupling revenue from to , sources said — were impossible to meet. Under pressure, there was also very little collaboration between departments. This can include everything from original short-form shows made for Disney apps and social channels to comic books and even branded content utilizing popular Disney characters.

Both are incredibly competitive businesses these days, which lead some former employees to predict that Maker will primarily function as a digital and social marketing arm for Disney going forward. He says Maker reached out to him years ago about cultivating his education channel under their rapidly growing network.

Their guidance and direction would expand his fanbase, he recalled them saying, and their brand relations and premium ads would increase his revenue. But he alleges that, after he signed his contract, he could barely get responses to e-mails.

After a few months, the mere idea of hands-on support was, for him, laughable. Also, like several other sources interviewed, Olson reported regular late payments and backpay. Not your father's Xbox controller Brush up on your driving skills in Forza Horizon 5 with the controller the pros use.

YouTubers interviewed said that, aside from better ads or brand deals, they were left alone to grow their channels. When comparing the valuation of Marvel and Maker at the moment of purchase, the difference is staggering. In the case of Maker Studios, the revenue numbers were not public knowledge. Much of it is about the number of YouTube subscribers. Maker's revenue may be small but its reach is massive. It claims to have 5. So maybe Maker's price tag makes sense after all.

But what happens now? How can the Maker acquisition drive much higher revenues for Disney's stockholders? Maker will start by fostering and monetising its biggest asset: the direct relationship with subscribers. The first stage will be to cut out the middleman — YouTube.